All Boroughs  [BACK]
Friday, May 24, 2013 9:28:02 AM / 64° F
HOME > NY1 Living
Arts    Cooking At Home    Entertainment    Health    Let's Eat    Money Matters    Movie Reviews    On Stage    Parenting    Real Estate    Sound Advice    Technology    The App Wrap    The Book Reader    Theater Reviews    Travel    Whipple's World    Zagat   

EW Movie Review: "Sinister"
Updated: 10/19/2012 05:30 AM
By: Owen Gleiberman - Entertainment Weekly

Halloween is nearly here, so now is the time to check out a scary movie. Does "Sinister," a new horror flick starring Ethan Hawke, fit the bill? Entertainment Weekly's Owen Gleiberman filed the following review for NY1.


When a horror movie is stitched together from other horror movies, that’s usually, in my book, a point against it. But "Sinister," a mash-up of half a dozen other films, not only contains a few honestly terrifying jolts, it's also the rare horror movie that’s just ingenious enough about everything it borrows to make its second-hand quality kind of fun.


Ethan Hawke, at his most antsy and compelling, plays an author of true-crime novels who’s really a knockoff of Jack Torrance in The Shining. He’s a writer struggling to produce, who likes his whiskey too much, whose work lures him toward mental instability and who moves his wife and kids into a home where gruesome murders took place. A family was hanged, in burlap hoods, from a tree in the backyard.


In the attic, Hawke discovers a box of old Super-8 reels, most of them from decades ago. They’re home movies that turn gruesome and Hawke, perusing them for clues, is a lot like the FBI profiler of Michael Mann’s Manhunter. He keeps freeze-framing the footage and what he starts to catch glimpses of is a face that looks a lot like Michael Jackson if he’d returned from the dead to play a goblin in Paranormal Activity 6.


My favorite thing about "Sinister" is derived from a movie I didn't even care for: last summer's Super 8. It's the notion of grainy old amateur footage as a looking glass into the past. In "Sinister," digital technology is lit by rationality, whereas Super-8 film, in its blurry shadings and fuzzy warm colors, has a lack of exactitude that allows it to contain ghosts. Basically, "Sinister" is a don't-go-in-the-attic movie and I knew perfectly well, after a while, what it was going to scare me with. But I got scared anyway.

Back to list