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Working in theatrical short form is tricky. If you're too quick and glib, you’re a cheap skit. If you're too expansive, your audience may want more.

In "Summer Shorts," the festival dedicated to the small, you get decent examples of bonsai dramaturgy: a comic monologue, a mini-musical and a wacky sketch. If you get restless at any of them, not to worry: something else will come along shortly.

The first piece in Series B is "Cabin Pressure," a solo piece by ace comic playwright Paul Rudnick. In it, the fluttery and breathless Peter Bartlett plays a flight attendant who, between campy digressions about celebrities on a plane bound for L.A., recounts how he foiled a terrorist attack and won the Presidential Medal of Honor. As usual, Rudnick proves himself the master of the sharp, satirical one-liner.

Next up is "Love and Real Estate," a condensed tuner by composer Sam Davis and book writer-lyricist Sean Hartley. Three sisters from suburban Connecticut move to the big city and find themselves prey to a mysterious young man interested in their apartments more than their hearts. Crisply funny Edward Hibbert amusingly narrates this urban fable and gets its best song, a Noël Coward-like ditty about, yes, love and real estate.

The final offering is a typically jagged and shaggy vignette by Neil LaBute, in which a middle-aged man breaks up with his boyfriend as the boyfriend’s menacing, whispering sister lurks on the sidelines. The piece is called "The Furies" and there’s a forced allusion to Greek tragedy. But mostly, it’s worth seeing Victor Slezak’s increasingly frazzled state and a long, vindictive monologue by Alicia Goranson as the sister.

None of the pieces are what you’d call unforgettable but they’re fast, amusing and for $25, you get a varied sampler of seasoned writers and actors. For a summer treat, it goes down smooth.