Time Out Theater Review: "The Hallway Trilogy"
By: David Cote - Time Out New York
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A new three part play set in one Lower East Side hallway has taken the stage at Rattlestick Playwrights Theater. NY1 contributing critic David Cote of Time Out New York filed the following review.Just when you thought Adam Rapp couldn’t get more prolific, he churns out not one but three plays. Rapp’s latest, "The Hallway Trilogy," is a trio of dramas that spans 1953 to 2053, all set in the same tenement corridor on the Lower East Side. Is it worth taking a trip down this long, dark passageway?
The short answer is yes, especially if you’re a fan of this gutsy writer, whose output can be uneven, but who here pulls off a neat hat trick of literary genres: period, contemporary slice-of-life and science fiction. Unfortunately, due to the expansive nature of this project -- a total playing time of around five hours and three distinct designs for each installment. The middle section, Paraffin, is set in the summer of 2003, on the August day a massive blackout hit the Eastern seaboard. Rapp sketches portraits of various lost souls in the building, such as the pregnant hipster Margo, delicately portrayed by Julianne Nicholson, married to dead-end rocker and junkie Denny, that’s the gung-ho William Apps. Denny’s wheelchair-bound ex-soldier brother, Lucas, played with vicious cool by Jeremy Strong, lurks on the sidelines, slinging bitter jokes and barely hiding his love for his sister-in-law. Then, as expected, the lights go out and compassion vies with cruelty in the darkness. We only have photographs for the other two plays, Rose, set in 1953 and concerning a delusional actress who thinks that the recently deceased playwright Eugene O’Neill lives in the building, and Nursing, set in 2053 when the building has been converted into a living museum devoted to disease.
All in all, "The Hallway Trilogy" is a singular undertaking: Rapp and his 14-strong company of actors, two extra directors and an ace design crew create a novelistic parade of lost souls, each stranded in a emotional or psychological limbo, symbolized, of course, by the hallway.
Despite the shaggy-dog aspects of the enterprise, Rapp remains a potent writer with a vivid theatrical imagination. "The Hallway Trilogy" might not lead anywhere, but the trip is rather exciting.