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EW Movie Review: "Amour"
In art-house films like "Funny Games" and "Caché," the Austrian director Michael Haneke established his own special niche of highbrow creep-out, imparting an air of dislocating disturbance to everything his camera peers at. "Amour," his brilliant and haunting new movie, is disturbing as well, yet it’s also deeply humane in a way that the earlier Haneke films were not.
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